Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Wilhelm Leibl 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
90772 Das ungleiche Paar Wilhelm Leibl Das ungleiche Paar 1876-1877 Medium oil on canvas Dimensions Deutsch: 75,5 x 61,5 cm cjr
90671 Die alte Pariserin Wilhelm Leibl Die alte Pariserin 1869-1870 Medium oil on panel Dimensions 81,5 x 64,5 cm cjr
87353 Die Dorfpolitiker Wilhelm Leibl Die Dorfpolitiker Date 1877(1877) Medium Oil on canvas mounted on wood Dimensions 76 x 97 cm cjr
92163 Die Dorfpolitiker Wilhelm Leibl Die Dorfpolitiker 1877(1877) Medium oil on canvas mounted on wood Dimensions 76 X 97 cm cyf
88631 Die junge Pariserin Wilhelm Leibl Die junge Pariserin 1869(1869) Medium Oil on wood Dimensions Deutsch: 64,5 x 52,5 cm cjr
56294 head of a peasant girl Wilhelm Leibl head of a peasant girl mk247 c.1880,oil on wood,12x11 in,30x27.5 cm,osterreichische galerie belvedere,vienna,austria
88918 Konzertstudie Wilhelm Leibl Konzertstudie c. 1870 Medium Oil on wood Dimensions Deutsch: 44 x 40 cm cjr
94059 Leibl und Sperl auf der Huhnerjagd Wilhelm Leibl Leibl und Sperl auf der Huhnerjagd Date 1890-1895 Medium oil on canvas Dimensions Deutsch: 40 x 58 cm TTD
88151 Madchen am Herd Wilhelm Leibl Madchen am Herd 1895(1895) Medium Oil on wood Dimensions 41 x 32 cm cjr
38653 Portrait of Burgermeister Klein Wilhelm Leibl Portrait of Burgermeister Klein mk138 1874 Oil on canvas 87x67cn
94058 Portrait of Carl Schuch Wilhelm Leibl Portrait of Carl Schuch Date 1876(1876) Medium oil on canvas Dimensions 58.6 x 50.5 cm (23.1 x 19.9 in) TTD
90415 Portrat des Johann Heinrich Pallenberg Wilhelm Leibl Portrat des Johann Heinrich Pallenberg 1871(1871) Medium oil on canvas Dimensions Deutsch: 118 x 95,5 cm cyf
91786 Portrat eines Mannes Wilhelm Leibl Portrat eines Mannes c. 1890 Medium oil on canvas Dimensions Deutsch: 16 X 16 cm cjr
93248 Schlafender Savoyardenknabe Wilhelm Leibl Schlafender Savoyardenknabe 1869(1869) Medium oil on canvas Dimensions 44 x 64 cm cjr
38655 The Poachers Wilhelm Leibl The Poachers mk138 c.1882/86 Oil on canvas Stretched over wood 55x42cm
23209 The Veterinarian Dr Reindl in the Arbor (nn02) Wilhelm Leibl The Veterinarian Dr Reindl in the Arbor (nn02) c 1890 oil on wood,10 1/8 x 7 3/4'' Stadtische Galerie im Lenbachhaus,Munich
40781 The Women in Church Wilhelm Leibl The Women in Church mk156 1882 Oil on panel 113x77cm
34021 Three Women in Church Wilhelm Leibl Three Women in Church mk87 1881 Oil on panel 113x77cm Hamburg,Hamburger Kunsthalle
38654 Woman from Dachau with Child Wilhelm Leibl Woman from Dachau with Child mk138 1873/74 Oil on wood 86x68cm

Wilhelm Leibl
German Realist Painter, 1844-1900 German painter, draughtsman and etcher. In 1861 he abandoned his apprenticeship as a locksmith in order to train as a precision instrument maker, though a month or so later he decided to train as an artist, at first under the Cologne history painter and writer Hermann Becker (1817-85). In 1863 he moved to Munich; he studied there from March 1864, at the Akademie der Bildenden K?nste, initially under Philipp von Foltz and Alexander Straehuber, drawing from plaster casts, and later in Hermann Ansch?tz's painting class. Here, Arthur von Ramberg (1819-75) stimulated Leibl's sensitivity to colour; and Karl Theodor von Piloty encouraged him to observe reality and incorporate its lessons boldly into compositions on historical themes. From the start, however, Leibl tended to think of his pictures in terms of form rather than content. While at the Akademie he first reached a standard of excellence with his draughtmanship, which is notable for its directness and objectivity. As an artist, Leibl's early works were not especially promising. However, as occurred throughout his career, a long period of mediocrity was crowned by an unexpected masterpiece, such as his portrait drawing of Aunt Josepha (c. 1864; Cologne, Wallraf-Richartz-Mus.). This is particularly striking for Leibl's use of the hands to add to the expression of the sitter's character and mood, a device he was to use frequently in later work. In Munich, Leibl supplemented the teaching of the Akademie by studying the works of the Old Masters in the Alte Pinakothek: he paid particular attention to painters of the Baroque period such as van Dyck, Cornelis de Vos and Rubens, and also to other great masters of portraiture such as Frans Hals and Vel?zquez. The presentation of the subject found in such works is reflected in Leibl's portrait of Frau Gedon (1869; Munich, Neue Pin.). When the work was shown at the Grossen Internationale Kunstausstellung in Munich in 1869 it was singled out as the best oil painting of the exhibition by Gustave Courbet and, as a result, Leibl was honoured with an invitation to Paris, where he arrived on 13 November 1869.
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